For his sixth Gucci collection, marking one year since his debut, Sabato De Sarno continues to explore the iconic codes of the emblematic house that turned it into a staple of Italian fashion.
"A year later, this collection shows an accomplished journey of construction. Moment after moment, I have built my ideas for Gucci. A casual grandeur that takes shape through my obsessions - tailoring, lingerie, leather, 60’s silhouettes, all combined with the tireless exploration of the heritage of this brand - and always with an irreverent态度。”表演发生的Sabato de Sarno解释说(与6月的男装演出相同的位置)。
牛仔布,从男士和夹克中偷走了男士和夹克,但也从男性的杂物中偷偷摸摸,但也是经典的skiris and skiris and s s s s s s s s s s s s s s s iCORA,iCORA gucci nline incore coocion nline, 60年代和装饰有GG图案的大衣在该系列中无处不在。 Gucci竹袋(对畅销书模型的点头,带有手工弯曲的竹手柄,该手柄于1947年首次创建),并在更休闲的皮革版本和珍贵的手工塑造的选项中,在这些特殊场合中,您想看到。还有Horsebit Loafers(是的,是另一个畅销书),Gucci Flora Follard在其原始版本中被插图的原始版本,由Illustrator Vittorio Accornero de Testa设计。 de sarno押注了永恒的经典,他可能已经找到了通往客户心脏的正确途径。
“It's about a precise moment in time. A moment to seize and live to the fullest. It’s the moment the sun dives into the sea at the end of an August day. It’s the moment we find ourselves. This collection is a tribute to those moments, and an invitation to stop, and seek your own moment,” continued Sabato De Sarno, who walked the red Ancora catwalk at the end of the表演,微笑和唱歌,向Fiordaliso的“ Non Voglio Mica La Luna”。
该系列中充满了强大的陈述作品,易于磨损,随便性感且无尽的优雅,它们已成为de Sarno的Gucci的代名词。这意味着在Gucci首次演出的12个月后,他终于找到了自己的声音。
礼貌:gucci
文本:lidia ageeva