Mason Margiela Artisanal Haute Couture tarin 2024

Makon Kaya na Paris 2024 ya nuna mana yadda haske, sababbi, da masana'antar kayan sawa mai saurin wuta za ta iya zama. Tarin ballet-core Chanel Couture Tarin bazara-rani 2024, tattaunawa mai daɗi tsakanin baya da na gaba a nunin Schiaparelli Haute Couture bazara-rani 2024, mai gamsarwa da sabon Jean Paul Gaultier na Simone Rocha Couture Spring 2024 tarin ya ba mu haske game da abin da zamani masana'antun ya bayar. Tare da sabon fahimtar abin da ya zaburar da masu zanen kaya da daraktoci masu ƙirƙira na Gidan Gine-gine, kamar yadda abin mamaki kamar yadda ake iya gani, dukkanmu muna jiran rufewar makon Couture na Paris don nutsar da kanmu cikin duniyar Maison Margiela mai ban sha'awa.

Tare da kowace shekara na aikin allahntaka na John Galliano a Maison Margiela a matsayin darektan kirkire-kirkire tun daga 2014, hangen nesansa na tarihin alamar yana zurfafa, kuma nunin nunin da gudan kawai suna samun mafi kyau kuma suna samun ƙarin ma'ana da ovations daga baƙi masu nuni. Gidan wasan kwaikwayo, wasan kwaikwayo, motsin rai shine abin da Galliano ke so koyaushe kuma yana yin wahayi kuma wannan yana bayyana a fili dalilin da yasa muka ga babban wasan kwaikwayo a wasan kwaikwayon.

Yayin da muke duban wuri sosai, kayan ado da kuma, ba shakka, kamannun da ba za a manta da su ba: duk abin da ya dace yana kururuwa cewa farkon shekaru goma da suka gabata shine babban jigon wasan kwaikwayon kuma ya dubi musamman. Babu wata fuska guda ɗaya akan ƙirar da ba ta yi kama da tsana na celluloid na da ba su yi ƙoƙarin zama na gaske ba, saboda gaskiyar abin da fasahar wasan kwaikwayon da baƙon ta ke bayyana: Kylie Jenner a cikin rigar launin toka mai launin toka. wanda ke daidaita tsakanin siffar kayan doki da siffar kifi. Don kammala kamannin kuma ya ba shi ladabi da sha'awar, Kylie ya kara safofin hannu masu haske; Christian Louboutin a cikin kwat da wando mai wayo, wanda ya haɗa shi da gyale mai ban sha'awa a hankali a wuyansa, an nannade shi da wani baƙar fata mai sophisticated. Amincewa da dukan ra'ayin wasan kwaikwayon Galliano sun cika da baƙi da kansu, waɗanda suka zama wani ɓangare na abin da ba za a iya mantawa da shi ba. da rawar gani. Daga haske da versatility na Kim Kardashian zuwa zurfin kyau na Ella Richards: duk baƙi na inexhaustibly ban sha'awa da kuma juyin juya hali show, imbued da zurfin akidar Galliano, aka yi ado a Maison Margiela, wanda shi ne wani factor na tasiri na Gidan kayan ado a duniyar fashion, al'adu da fasaha.

A karkashin hasken cikar wata da dim fitilu na Paris da daddare, yana da wuya a iya bambanta fuskokin samfuran daga tsohuwar. tsana: Fuskokin samfuran sun kasance kamar an rufe su da kakin zuma: fitaccen ɗan wasan kayan shafa Pat McGrath ya yi aiki a kan kyan kayan kwalliyar da ba a faɗi ba. Mai fara'a iri ɗaya wanda ya rufe jikin Doja Cat a cikin lu'ulu'u na Swarovski don wasan kwaikwayo na Schiaparelli. Tasirin ain, wanda ke tunawa da silhouette na tsofaffin tsana na celluloid, Pat McGrath ya halitta tare da taimakon abin rufe fuska, wanda za'a iya cire shi tare da motsi mai haske da santsi. Kowane bangare na fuskar kamar yana kururuwa cewa wani bangare ne na fuskar tsohuwar yar tsana wacce Galliano da Pat ke hazaka. Samfuran Galliano sune ma'anar 1910-1930's Parisians, fashe-fashe gilashin akan teburi, rigunan tulle masu lanƙwasa, fitilu masu duhu, gashi mai ƙima, birni na daji, hasken duhu- 1910-1930's Rayuwar Parisi da gaske ana iya karanta taɓawar Galliano daga kowane abu Maison Margiela Artisanal 2024 nuni.

Tsattsen kugu, sifofin Margiela da kayan shafa na 'pocelain' ba su shafi ma'anar zahirin halittar Gallianos ba, kamar yadda suka sami jituwa da gashin jiki, wanda aka ɗauki shawarar Galliano a matsayin tawaye na har abada. m. Ya sami tsauri da daji a cikin santsin siffofi da motsi. Muhimmancin da aka bayyana a cikin launuka da alamun Maison Margiela, waɗanda ke cikin sifofin, sun sake tabbatar mana da hazaka da ban mamaki na John Galliano. Galliano ya sami wahayi, a tsakanin sauran abubuwa, ta ayyukan mai daukar hoto na Faransa-Hungarian, mai sassaƙa kuma marubuci Jules Halas, wanda aka sani da Brassai. A shekara ta 1932, ya fito da kundin tarihin "Night Paris", wanda ya kawo masa farin jini. Ya juya ga rayuwar mutane a "ƙasa na zamantakewa", ya kwatanta yanayin sanduna na Paris da cabarets, tituna masu duhu duhu, barci a ƙarƙashin gada, hasken fitilu na titi, mata masu sauƙin hali waɗanda suka yi sanyi don fita daga sanduna. cikin dare gari.

Ba shi yiwuwa a lura cewa wannan tarin babban fassarar tarin 2000 ne. Silhouettes, makamashi, kayan aiki da falsafa suna ganin juna kamar a cikin madubi. A kan titin jirgin sama kuma za mu iya lura da sababbin guda waɗanda Galliano ya yi tunanin ya zama dole don nuna mana: haɗin gwiwar da ba a tsammani na Maison Margiela da Kirista Louboutin. Ee, waɗannan su ne tabi- louboutins.

Wannan tarin axiom ne da ke tabbatar da cewa ana iya ƙirƙira fasaha daga siffa ta tunani a hankali, tarkacen masana'anta, fashe-fashe da silhouettes masu ban mamaki waɗanda babu wanda zai taɓa canzawa zuwa fasaha fiye da Galliano. Shi kadai ne wanda ya rike mukamin darektan kirkire-kirkire na gidan Maison Margiela na dogon lokaci, saboda ya fahimci daidai da dabara da falsafar alamar kuma yana da cikakkiyar hangen nesa na kyawawan dabi'un Martin Margiela.

Wannan tarin ficen ya riga ya bar tarihi a duniyar salon zamani da za ta kasance tare da shi har abada.

Text: Maksym Tymofeiev

Hotuna: Maison Margiela